In an era dictated by seamless automation and infinite reproducibility, Resisting the Pixel curates a discourse on the deliberate return to historic photographic processes. These artists, far from mere nostalgists, wield analogue techniques as a form of quiet rebellion—a reclamation of tactile artistry in an increasingly immaterial world.

Through cyanotypes, wetplate collodion, silver gelatin prints, and other time-honored methods, the works presented transcend the mechanical ease of digital capture, opting instead for uncertainty, labor, and alchemical transformation. This is photography not as expedience, but as ritual—where each imperfection becomes an act of resistance, each image a meditation on presence and impermanence.

Yet, the exhibition is not a lament for progress, nor a retreat into obsolescence. It is a challenge—an inquiry into the dystopian homogeneity of automated seeing. These artists negotiate the boundaries between past and future, between control and chance, asking: What is lost when the machine dictates? And what is found when the hand intervenes?